Fortune Frame Picture Frame World Trade Center Art Farmington

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent fourth dimension in a fine arts museum, chances are yous know a lot about the men who "divers" their mediums. As with other subjects, nigh of what we learn about art history today still centers on white men from Europe and, later, the United states. In reality, there are so many more than artists of all genders to learn from and capeesh.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the fine art globe'due south most iconic pioneers to its most unsung heroes, these women artists all had a manus — and, in some cases, still take a hand — in changing the globe of fine art and how nosotros ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. After studying the work of painters similar Cézanne and Monet while abroad, she returned to the U.s.a., becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman'south Untitled Film Stills (1977–lxxx). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perhaps about well known for her series of Untitled Motion picture Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person movie characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'south influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a moving picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

Y'all might beginning retrieve of Yoko Ono every bit a musician and activist, but she's also an accomplished functioning and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".

One of her nearly revered works, Cut Piece, was a operation she commencement staged in Nippon; Ono sat on stage in a prissy suit and placed pair of scissors in front end of her, and, in an human activity of daring vulnerability, invited audition members to come up on stage and cut abroad pieces of her vesture. "Art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Black Girl'southward Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was function of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can go the viewer to expect at a work of art, then you might exist able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded equally one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'south besides known for her hyper-real sculptures, polka dots, installations, and and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Commencement Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale skin tones — every bit she was the first Black woman to complete a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you likely acquaintance Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art world, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the World'due south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to confront truths about themselves. She ofttimes challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Blackness human with a imitation mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in front of a photograph in her exhibition Our Firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such equally trauma, noesis, and hope. One of her more notable works, I Aroma You lot On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Ago)

Much of Rebecca Belmore's fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the Kickoff Nations People in Canada. As an Anishinaabekwe artist, she works to heighten awareness effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the showtime Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual art were the primary styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Niggling Gustatory modality Exterior of Beloved, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilization and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures within the early Feminist Fine art motility. As exemplified in her iconic work The Dinner Political party, her installation pieces often examine the function of women in history and culture — in the 1970s and earlier. While at California Country University in Fresno, Chicago founded the beginning feminist art program in the U.s..

Augusta Barbarous

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Savage founded the Fell Studio of Arts and crafts in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance fine art practices, Carolee Schneemann is considered the progenitor of "torso fine art". (Merely expect up her most famous work, Interior Scroll, and yous'll encounter what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional power relations. In addition to documenting New York City'southward queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her concluding name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-proper noun artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based creative person, Asawa's last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during Earth War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov eight, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and banana professor who won an Bear upon Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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